Ruminations

Lightning Storm

One of the best things about living in a city, is leaving. the family and I tend to get out to somewhere pretty often especially during the summer. I remember on my first few years in the city getting kind of a cement claustrophobia every now and again. The walls here are so hard, and the cement and brick can start to seem more and more solid after a while. A little altitude like going on a roof tends to help over come the feeling a bit, the ocean feels even better, but nothing beats a mountaintop for rejuvenation. Theres something about being able to stand somewhere and look off into space and alow your soul to expand out in front of you to a distant horizon. Its like moving from the sofa into a real bed where you can really stretch out your feet.

For New Yorker's who are always hurring from here to there to there and doing 3 things actively and 2 things passively every minute of every day, a little time sitting in a field or watching a river is often immeasurably cathartic. And as such we tend to join up in little communities, carpool, and get the hell out of dodge together.

In my experience the suburbs are hard to appreciate. Growing up in the Connecticut countryside I certainly had my fair share of experiences roaming through the forest that began next to our house but for all the trees and the big yard, I don't think I ever really appreciated it. For me it was just a tedious set of chores that always needed to be done. twice a week I had to give up three hours in the afternoon and push a lawnmover back and forth across the yard and down the hill 142 times. When there wasn't grass to cut, there were leaves to rake and when no leaves fell, there was snow to shovel. For few few years we even had a big round pool in the middle of the back porch, which served to collect all of the leaves, pollen, and insect life from the neighborhod trees. I'm pretty sure I can count on one hand the number of times we used the poll for swimming cooling off or relaxation, but it was memorable for the fact that it required someone (yours truly) to to put on a bathing suit, slip into the slimy cold green water with a completely nonfunctional "pool vacuum" and make sweeping motion around the floor until the green stuff would magically come off the floor and stick to their skin. After a couple years of this awesome practice, I left for college and the pool was closed temporarily, then permanently, then removed. But I digress...

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Greetings

In New York City, if a teenager walks (skateboards) up to a group his/her friends, he kind of just slips into the group, maybe offering a smile to someone, or teasing someone a bit, almost as if theyve been there for a while and don't mean to distract from the momentum of whats going on.

In Berlin if a teenager walks up to a group of his friends (on a subway platform for instance) he/she walks around to each of the afore gathered people, looks each of them in the eye, does some sort of a predetermined hand greeting, and says something akin to hello how are you.

Now I understand that europe is much more ritualistic than the US and certasinly more than New York, I just wonder what are the benefits of one or the other method of greeting. I see how in the Berlin greeting everyone is more assured of knowing each other and how to address one another moving forward, which are both pluses. But to my north eastern sensibility it kind of seems like a certain waste of time, and seems to have an adverse affect on the dynamics of the group. For instance if the group is talking about something important and everytime someone else arrives they all immediately make a timeout to welcome the latecomer.

   

On With the Migration

Forbiddencolors has been lying in state on it last platform for over a year now. I kind of painted myself into a corner, by being way to strict in how everything I published would be formatted. So when form starts to undermine function form needs to be shattered like an earthware vase and built again. The first step of this migration has been to build this new vessel here. so Now I am going to try and liberate some of my old content and bring it into its new home. Thank you for your patience. Kirk
   

Get Your War On

Get Your War On by David Rees, is a brave tour de force of self-examination. During the entire Bush administration, I felt compelled to keep rereeading the news looking for the psychic subtext. Sadly the psychic subtext was always that we are nation of cardboard cutouts woefully unprepared to deal with our own problems yet somehow pumped up to fix the rest of the world.

Again and again as this came into glaring view, I found I could turn to David Rees' comic, see the most absurd truths spelled out, look at it, laugh or cry as neccessary and move on. It was as if the true news paralysed me, and these cardboard characters could set me free again.

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Performance Art

Personally I find good performance art to be magical. There is something very special about someone drawing together tiny bits of their life and experience and creating a unique collage of thoughts and feelings to share with an audience. I don't even know what the power of it is exactly, I just know that I have stood transfixed to people sitting and speaking, silent movements, utter stillness, musical virtuosity, solemnity, erratic freedom, and complete structure. In every situation I find that it requires a real understanding and sensitivity to the energy of a room. A talented performance artist knows exactly how to control focus, and can draw attentian to themselves ort anything else on stage with force, and knows how to release that tension enough for people to draw their breaths and open their minds even more. I have been studying the cello for a few years now and I love the experience of learning how to control an instrument and how to nuance notes and how to go from playing music to really sharing and expressive feelings through an instrument. I look forward to the day when I can really touch someone with my playing. Here are some performances that I have found unforgettable:
  • Yumiko Yoshioka: Before the Dawn
  • PJ Harvey: White Chalk Live at Beacon Hall
  • Metropolitan Opera: Lucia Di Lammermoor
  • Great jones Repertory Company: Trojan Women at LaMama Etc.
  • Rammstein: Live at Wuhleide
  • Thaddeus Phillips: The Earths Sharp Edge
   

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